Jun. 26th, 2007

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Well, who do you think?


At about 3:10 is a beat I need to steal, then again after he reaches down and adjusts the snare at 4:40. In fact, that 4:40 beat is freaking incredible. I've gone back and listened to it ten or fifteen times. That's the kind of riff that spawns an entire musical genre. (The crowd knows it too: they applaud. Heh heh.)

And then, of course, he goes double-bass at 5:45...

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